A Dolls House - Henrik Ibsen Essay Example for Free

A Dolls House Henrik Ibsen essayHenrik Ibsens in one of his most revolutionary plays, A Dolls House, filled his set and narrative with symbols that emphasised the inclination that above everything, one must be an individual. Doors, macaroons and the tarantella are all symbols that are utilise by Ibsen to convey to the audience that the life of Nora and Torvald isnt what it seems to the naked eye. The doors in the dolls house set, are emphasised, to symbolise the separate worlds Nora and Torvald stretch forth in the illusive macaroons symbolise the control Torvald has over his wife and the wild tarantella leaping is symbolic of Noras desire to escape from her restricted and heavily defined existence. Doors in A Dolls House are not plainly a wooden blocks that can be used as a thoroughfare mingled with rooms they are used to distinguish between the deuce different spheres, Noras sphere and Torvalds sphere. All through and throughout the play, Nora never enters her husband s world. Guests for Torvald were instructed to not come in here (Noras living room), and they went on into Torvalds study. As Krogstad slammed the door on the way out of his house, Noras world was smashed into a million shards of tiny fragile pieces. The character of Nora is displace into a spiral of depression, anxiety and out-right craziness that turned a seemingly normal dance into a 19th century movement of oppressed sensations.The macaroons that Nora possesses in the beginning of the play are more than equitable a common snack. Nora has the macaroons in the early stages of the play, with Torvald around. They give the audience the knowledge of Noras child- uniform behaviour and emotions. All through A Dolls House, Torvald treats Nora like an inexperienced child, and the macaroons are one of many indications of this. She offers it to guests as they enter her world, but not to her husband, in which she hides them from him. The child-like behaviour is also witnessed in the scene where Nora is playing with her children, calling them little dolls and playing with them like they are her friends and shes not their mother. This child-like behaviour was encouraged by Torvald, by simple nicknames, such as divert and mockingbird, to make Nora be more immature towards Torvald and keeping her youthfulness that he liked so much.The disreputable dance, the tarantella, was an expression of the oppressed society that woman had to go through in the 19th century. The tarantella was used to convey emotions that woman couldnt express in normal, everyday life. They used new(a) energy to express that raw emotion. In A Dolls House, Nora uses, just as other woman have, to express and release the oppressed emotion that was given by Torvald towards her. In the scene where Nora is dancing for Torvald as practice of the dance and Dr. Rank comes in, Torvald keeps apprisal Nora to stop it and do it as I said. Nora is completely oblivious to Torvald and keeps on dancing in her pro test style. Dr. Rank comes in and takes over Torvalds role as piano player to fuel the flame that Nora was burning. The dance becomes more and more wild as the scene progresses, until the music stops and Nora is just still. The oppressive jiffy of woman in the 19th century created this dance.A Dolls House uses this symbols of child-like behaviour, different worlds and an oppressed dance to argue the audience that the world of the 19th century wasnt a blissful place where men and woman were constitute in everything they had rights to, like they do now. Torvald showed that he was a man of conformity and tried his best to bend his family into the social norms of the time. Torvald never let Nora have her way and treated her like a child, making her double back into one and even making her be his child. She was scared to wrong by her husband, even hiding a simple sweet from him so he wouldnt find out that she was eating it.By the end of A Dolls House , Nora grows up. After the probl ems arisen by Krogstad, she learns that her husband isnt her saviour anymore and she doesnt love him. The party ended when Torvald cute to leave. Nora got home and changed out of her formal attire, and into outdoor wear, making Torvald wonder, Why are you dressed like that? The winning off of her formal clothes gives the impression that Nora is now taking off her old life, her oppressed life, and starting signal afresh. After an emotional discussion with Torvald, she ends up leaving him and the children. Walking out of her house, through the door, again is represent the end of something. This time its Noras life with Torvald. As the door closes, this time its Torvald who breaks d induce, mirroring Noras emotions when Krogstad leaves theletter in the letter box. symbolization is a major part in any play, even more so in A Dolls House. The emotion scenes with Nora, Torvald, Dr. Rank and even Krogstad wouldnt be the same without objects such as the doors or macaroons, or the two di fferent spheres dividing Noras world and Torvalds. The dance itself plays a vital role of showing emotion without the notice of Noras own husband. Without such devices, A Dolls House wouldnt be the same revolutionary play that we see today it would just be mere words on a page.BibliographyA Dolls House Henrik Ibsen